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#BEBOP LICKS GUITAR PDF HOW TO#
#BEBOP LICKS GUITAR PDF PDF#

Listen & Play Along Bebop Lick 9 – Dizzy Gillespie Lick 8 starts with a Dm (add 9) run, before it goes to the G altered scale in the second bar. Listen & Play Along Bebop Lick 8 – ii V I in C Major This bebop lick starts with a simple Dorian mode run and continues with a phrase around the notes of Abm (add 9). Listen & Play Along Bebop Lick 7 – ii V I in C Major Playing a diminished arpeggio that is 1 half note higher than the root of the dominant chord is a popular choice in bebop. Like the previous example, this lick is based around an Abdim arpeggio. Listen & Play Along Bebop Lick 6 – ii V I in C Major This lick is formed around an Ab diminished pattern. Listen & Play Along Bebop Lick 5 – ii V I in C Major Instead of the Abm (add 9) arpeggio, this lick uses a Dbmaj7 arpeggio in the second bar, which results in a Gsus4 altered sound. This first variation uses an Abm (add 9) arpeggio in the second bar. The next 2 jazz guitar licks start with a simple Dm7 arpeggio pattern that is typical for bebop. Listen & Play Along Bebop Lick 3 – ii V I in C Major This is the same minorization concept we saw earlier. This jazz guitar licks starts on the D melodic minor scale, and continues with a Dm7 arpeggio on the G7. Listen & Play Along Bebop Lick 2 – ii V I in C Major In this last variation, the dominant phrase is formed around a G7(b13) chord shape. This is called minorization, a concept frequently used by Charlie Parker, Pat Martino, and Wes Montgomery. Not playing the V (G7), but staying on the ii (Dm7) is something that occurs often in bebop. Here, the second bar starts with a chromatic run, followed by a Dm7 arpeggio. This is a common bebop substitution for dominant chords. In the second variation, notes of Abm (add 9) are used over G7. This first variation uses chromatic approach notes that target the 5 and 3 of G7. This gives you some examples of what you can play over the dominant chord in a ii V I. The following 4 licks start with the same minor bebop pattern, with variations on the G7 in the second bar. Because of its popularity, it’s important that you are able to navigate these changes well. The 2-5-1 chord progression is the most popular progression in bebop and jazz in general.

Sing each lick while playing the chords on the guitar.

Improvise and create your own lines using fragments from each lick.

Apply rhythmic displacement to each lick.

Construct your own licks using the same techniques.

Use backing tracks so that your ears learn how these jazz-guitar licks sound in a musical context.

Apply each lick and idea into a musical situation such as a jam or a gig as soon as possible.

Learn each lick in at least two different positions on the neck.

While working slow at first is essential, many jazz and bebop tunes are played at fast tempos, so begin to increase the speed of each lick when you can play it cleanly at a slow tempo.

Practice each lick slowly with a metronome.

In this lesson, you’ll learn 25 bebop licks, as well as the important concepts behind each lick, so that you can build your vocabulary and expand your theory knowledge at the same time.Ĭommon jazz rhythmic devices such as syncopation, swung eighth notes, triplets, and motifs are used in each lick to create musical variety, and all of the audio examples are recorded at medium to slow tempos for study purposes.ĭownload now and learn 244 chord shapes! Jazz Guitar Licks Practice Tipsīefore you dive into these classic jazz guitar licks, here are some exercises you can use to internalize each lick and add it to your next jazz guitar solo in an accurate and musical fashion. By studying classic jazz guitar licks, and the concepts that are used to build those lines, you’ll be able to bring a bebop vibe to your own jazz solos.

#BEBOP LICKS GUITAR PDF HOW TO#

While many guitarists fall in love with the bebop sound, learning how to play in the bebop style can seem intimidating, but it doesn’t have to be. Players such as Charlie Parker, Dizzy Gillespie, Clifford Brown, Bud Powell, and others brought fresh levels of excitement to their extended solos, ushering in a new era of jazz improvisation. Sound to those chords, adding bebop scale tension and.Īlthough the bebop era lasted less than a decade, it has had a lasting influence on subsequent generations of jazz improvisers. The purpose of these studies being to hear, play and understand the main jazz-blues changes by using different chord voicings as drop 2, drop, 3, rootless.

#BEBOP LICKS GUITAR PDF PDF#

This PDF method contains 11 guitar lessons with chords, tabs, standard notation, analysis & audio files about the main blues progressions used in jazz music.Though are mostly used in jazz to outline chords, swing and bebop era players often used the 1.